![]() Doyle, these activities are executed with tense balletic virtuosity by neurotic, anguished and gymnastic creatures, who climb the walls (I mean literally) in moments of high stress. (The Macbeth mansion has many bathtubs.) Choreographed by Ms. These jaded figures can be found in bedrooms, bathrooms, ballrooms, hospital rooms and nurseries getting dressed and undressed, doing the foxtrot, making every kind of love, killing one another and washing off blood. (Because the roles are mostly double-cast, I am not mentioning individual performers, but they are all lissome enough to make the audience look slow and dumpy.) Dressed in drop-dead, Deco-era evening clothes, scanty lingerie or nothing at all, these characters include the Macbeths (of course), Macduff and his wife (who is conspicuously pregnant), Duncan (the king) and various witches and hotel employees. The idea is once you’re let loose on one of the floors of the hotel, you pick out a single character and pursue him or her (though you can switch any time you want), as the performer runs, dances and vaults all over the place. (Just don’t touch them, though they may well reach out and touch you.) But you are encouraged to poke around in corners and trunks and bookcases, and allowed to get as close as (in)decency permits to the lithe-bodied denizens of this chic spook house. ![]() You are also asked not to utter a word during the two and a half hours you are given to follow the characters of your choice from room to room. You see, everyone who attends “Sleep No More” is required to wear (and keep on) a Venetian carnival-style mask. That’s you and me, my fellow theatergoers. These have less to do with the comely dancers who act out the doomed paths of Macbeth and company than with those clumsy, anonymous lugs in white face masks who keep elbowing one another out of the way to get a better view of the sex and violence. Barrett, Livi Vaughan and Beatrice Minns), is not without thought-churning aperçus. Its stars? An eclectic cast of dancers who are anything but machines.īut this largely wordless production, directed by Felix Barrett and Maxine Doyle (and designed by Mr.
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